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“Cézanne au jas de bouffan” brings musician to AIX

Paul cézanne, These mantagne sainti-VictoireIn 1897; Fat in canvas. © Kunstumusum Bern, Legs Cornelius Gurlitt, 2014

Painting the country area almost impossible. In any Vista, life accumulation is a lot to grow and grow. Drawing a tree to fix a stirring, changing, light, and condolent air, in a second. The artist should stop all that, translating this vivoti to a flat canvas, presenting as a fact that the natural world is present even after the year.

Bonnard drew inside a household, Matisse with Windows and Picasso rarely tried. Van Gigh gets out of painting in the fields, trying to pull the changing light and the color vibration seemingly obviously obeyed as a sound wave. “The scene is seeing me,” said Cézannne, “and I can see.” Indeed, his earth’s worldwide areas do not look like, like Hudson River School Archarians try to capture the quality of mountains and sky. Really not; Chézannne Paints approach Chézanne near chézanne, like you jump in a trap or apples, swallow up their cement swallow and restart. It is not surprising that he was considered antisocial.

Emile Bernard, his childhood friend and his fellow observer, said Cézannne “did not have the thought of beauty.” How could he be when each one was with each one he had painted, not without looking inside and but in the inside? The Mont Saint-Victorires draws and more is never realistic, although they are evident as a mountain. They are clusters find what comes from him to come in weight and import. He found the world by painting, drawing every day and painting a Plin wind on the day he died. In his life, he made 900 paintings.

The Cézanne's drawing template in the huge helmet, provides an assumptions about the artists himself.The Cézanne's drawing template in the huge helmet, provides an assumptions about the artists himself.
Paul Cezanne, Drawing them from the grass cheekIn 1875-76; Fat in canvas. Moma, Illiam S. Paley Collection

Manbet has made Cézanne “greater than I all.” Matisse called him “Dear Kind of God Painting.” Picasson said Cézannne was “my only ruler … Father of us all … Mom walks.” Influenced cubists-picasso buy a drawing The sea in L’estaque with his houses that look perverted. Cézannne was a Morandism, and Hemingenne said Cézannne had a huge impact on her work. Marsden Hartley said, “Will you again appear in mysterious and unbelievable wisdom by separating the color and the sensors and making a logical recognition?” Chronist Musy James Marshall wrote, “No one looks to the environment or by revealing him as a source of Revelation creation, as Cézanne did;” and Luc Tumans, after his first encounter with Cézanne, said, “I was struck quickly with the sense of diverging and controversal, on the other hand, and the meeting were shown.”

The artists showed us their paintings how the world affects them, and Cézanne’s uncomfortable inside her and the world is clear. He was not a happy, pressuring “harmoniousness” in nature he had not received. He never received the recognition of critics. In the case of Maurice Merleau-Ponty, “he saw:” Nine of the ten days, all he saw him was his mighty life and his unsuccessful attempts, the debris. “

Cézannine's underlined Cézanne Mount of Mont Saint-Victoire Mountain built of Pine branches, indicates all her bet for this natural matter.Cézannine's underlined Cézanne Mount of Mont Saint-Victoire Mountain built of Pine branches, indicates all her bet for this natural matter.
Paul cézanne, Mont Sainti-Victoire on a large pinec. 1887; Oil in canvas, 66.8 x 92.3 cm. Coundauld, London (Samuel Constauld Trust) ©

Paul Cézanne was born in AIX-En-Proverence in 1839 and died in 1906, at the age of 67, AIX, a large wall of the winner, leaving countless times, leaving thirty cavity. Cypless trees, etilans who bring them to Italy in the past 2,000 years, simply accompanied by roads, compared to a citizen of stone houses. Living in Paris, Cézannne was always going back to her hometown and a popular light.

This year, AIX city honors This papaThe Master of Aix, in a series of events, shows, reversing and integrated reset, “cézanne 2025.” The newly recovered country house owns 40 years, Jas de Bouffan, is now open to the community, reaching out on his studio on the second floor. When displayed at AIX’s Musée glanet, “Cézanne au Boufran,” 130 fat Sheep in Canvas, Watercolors and drawings, with a worldwide loans. There are first Cézanne’s first geometric areas, and twelve received and restored murals to the wall when he was twenty years old. One mural exhibition pieces of a beautiful female copulation of the fruit and flowers. These mantagne sainti-Victoire (1897) The Nazi-Era collection part is the first time. Visitors can also examine the estate gardens, Chestnut Tree-Lined Avenue and the United Stand. The new public track leads to Bibémus’s AIDS often paint, and up to the mountain itself. Visitors can look at her first and last studio, Aither Des Lauves, with whom it has just been restored.

The museum show gives a positive list of his Oeuvre: Long Trees in Jas de BouffanIn 1883, The artist reads L’ementIn 1866, Still life with cherries and peaches1885-87, Be careful with free1867-69. There are Cézanne pictures in her studio and paint the wind of Plein. But it’s still better than just walking in a panic environment and she baffled her. .

As a French author Jean Giono wrote of the region: “It is very light that the world was seen as it is: without lunch.” The ACTIONS made it happy. “He would not describe one of Cézanne’s paintings.

Cézanne au jas de bouffen“It is in the face of Musée glanet to October 12, 2025, as part of” Cézanne 2025 “AIX-En-proveres, France.

The painting is still living in red patterns and yellow pieces organized on white plates beside the green vase, showing Cézanne sensitivity to color and kind.The painting is still living in red patterns and yellow pieces organized on white plates beside the green vase, showing Cézanne sensitivity to color and kind.
Paul Cezanne, Still life with cherries and peachesbetween 1885 and 1887; Fat in canvas. Los Angeles County Museum of Art, the gift of Adele R. Levy Fund, Inc., and Mr., and Mr., and Mr. Deutsch © 2024 Musop Associates / Lacteria. License with DIST. Great grandson / photograph LACMA

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